Saturday, October 25, 2014

The TBR Tag!

How do you keep track of your TBR pile?
I hate looking at one singular TBR list and finding books that haven't been released or which are classics or that I already own so I have multiple TBR piles which I keep track of on Goodreads. :)
Is your TBR mostly print or e-book?

I'd have to say my TBR is a mix of both. Currently, I feel as if it's mostly e-book since I request publishers to send me electronic copies of books since I'm in college and it's just easier than receiving parcels and finding space to stack up ARCs, but I also have a decent amount of print novels at home which are on my TBR and desperately need to be read someday. 

How do you determine which book from your TBR to read next?

I'm a 100% mood reader. Most of the time, I'll know what I want to read next since it would have recently released and I'll snatch up a copy from the library or Amazon, but other times I just peruse my TBR shelves until I find a few books I really feel like reading that instant and then whichever one I can find I'll read. 

A book that's been on your TBR list the longest?
The Storyteller was, I believe, the first ARC I received and though I've wanted to read this novel many times since having received it, the sorrow that has been promised upon reading this has kept me away like the fearful reader I am. Someday...
A book you recently added to your TBR?
I haven't been able to avoid the gushing reviews of this novel on the internet and, of course, I had to add it to my TBR. If only I could get a copy as easily... ;)
A book on your TBR strictly because of its beautiful cover?
I saw the cover for this novel and was a goner. I don't actually know much about it but, ugh, so gorgeous.
A book on your TBR that you NEVER actually plan on reading?
I plan to read every book on my TBR but there are some, like Black Spring, where I doubt the reality of that actually happening. I adore the haunting cover of this novel but the fact that it's a re-telling of Wuthering Heights almost guarantees I won't enjoy it and though I've loved Croggon's prose in the past, I haven't picked up a book by her in nearly five years and can't be sure this is quite for me after all. Still, just the idea of it on my TBR warms my heart.
An unpublished book on your TBR that you're excited for?
I think to say I'm excited for this is a vast understatement. Just tell me which organs I can donate to get my hands on a copy of this. 
A book on your TBR that basically everyone has read except you?
Yup, that's right. I don't even need to say anything else because everyone really had read this book. Except me. Oops!
A book on your TBR everyone recommends to you?
I'm almost tired of hearing about Mistborn. I love high fantasy, which is why this series gets recommended to me as often as it does, but I just haven't found the appropriate chunk of time to carve out for it yet. I know, I know, I need to. I will. Eventually.
A book on your TBR that you're dying to read?
I am such a die-hard sucker for werewolves (which clearly explains my torrid love affair with Adam Hauptman). Dunkle is an author I've really enjoyed in the past and combine that with the Scottish moors and creepy werewolves and I am basically a goner. If only I could find a copy of this book, though! :(
The number of books on your Goodreads TBR shelf?
I didn't want to know this number but if I count up all my multiple TBR shelves, it's 430. *winces*

Thanks for tagging me, Marlene! :)

I'm not actually going to tag anyone, only because I have no idea who has already been tagged vs. who hasn't but if you'd like to participate in the TBR tag, consider yourself tagged by me! ;)

I wish I could promise that exciting reviews are headed your way, but I can't. I'll hopefully get some blogging done this weekend--we'll see!--but I hope you enjoyed this post and wishing you all a fantastic weekend and week ahead! :D

Tuesday, October 21, 2014

Release Day Review: Blue Lily, Lily Blue by Maggie Stiefvater


Title: Blue Lily, Lily Blue (The Raven Cycle, #3) 

Author: Maggie Stiefvater

Rating: 4.5 Stars

Release Date: October 21st, 2014

I’m not entirely sure Cabeswater is quite fictional. I cracked open the spine of Blue Lily, Lily Blue and from just the whisper of those initial words on the page, I could feel it coursing through my bloodstream. I emerge from Stiefvater’s novels blinking wildly at the sight around me. It takes a few seconds for my brain to process a mere desk, laptop, bookshelf, bed, and lamp before my eyes when, only seconds ago, I was running through the forests of Cabeswater, walking through hidden caverns, breathing life into my dreams. It’s simultaneously Stiefvater’s best and worst quality; her ability to immerse her readers thoroughly in her work and, sadly, her ability to render those fictional realms so life-like that the inevitable disappointment that I cannot, in fact, visit Cabeswater, is crushing.

But, I digress—Blue Lily, Lily Blue. After two beloved novels already published in this series, it’s easy to believe, by the third book, that you know the direction of the plot, the decisions the characters may make, or even the relationships they’ll continue to develop. Maggie Stiefvater, however, shatters every illusion you’ve harbored within the opening pages of her prologue itself and you’re taken back in time to that moment of trepidation before you cracked open The Raven Boys; that moment when you have no idea which character you’ll fall in love with, which one you’ll hate, who is about to become your soul sister, or even what the plot of the entire novel even is. Stiefvater proves to be just as unpredictable as always in Blue Lily, Lily Blue, and though reading this third novel in the Raven Cycle feels like returning home after a long, arduous year apart, its characters nevertheless manage to evolve, the plot twists and turns, and the relationship dynamics become ever-more complex. Thus, just when you’re thinking you’re going to enjoy another trip to Henrietta, your heart rate begins to pound, you lean forward in your seat, and, just like that, you’re just as frantic and impassioned and in love as Blue and her Raven Boys.

For me, perhaps the most jarring effect of Blue Lily, Lily Blue is the fact that the school year has, once again, begun. For Blue and her Raven Boys, this means that while the hunt for Glendower has not ended, it has become more difficult. Moreover, the economic gap between Blue and her Raven Boys, which felt, perhaps, diminished within the excitement of The Dream Thieves, rears its ugly head again. Blue Lily, Lily Blue marks the first Stiefvater novel I’ve read since attending college and, as a result, I find myself all the more grateful for the economic diversity Stiefvater writes of. I feel underrepresented within my economic bracket here, on my college campus, but it’s reassuring to know that isn’t the case within Stiefvater’s literature. Adam’s economic situation, as always, is keenly felt and the strides Adam makes in his thinking during the course of this novel are tremendous. But Blue, especially, stands out to be in Blue Lily, Lily Blue, not only because she has lost her mother, but also because her closest friends are looking into a future of posh, elite Ivy League schools while she herself must settle for a local college she can afford opposed to a college that caters to her academic intelligence level. Truly, I don’t mean to linger on this topic for too long, but for those of you who have felt as if the college admissions process has been simplified and far too glorified in literature up until now, you will love the harsh reality Stiefvater breathes into the situation with her latest.

But, yet again, I digress. I do not love Blue Lily, Lily Blue for its economic diversity (though that is certainly a noteworthy component to the novel), but I love it for the manner in which its characters and their relationships continue to surprise me. I wrote in my review of The Dream Thieves that though Stiefvater writes of a multitude of characters, everything she writes of somehow returns to Gansey. At the heart of the Raven Boys, at the heart of this quest for Glendower, lays Gansey. While this continues to be true in Blue Lily, Lily Blue, what struck me about Gansey in this third installment is how little we truly know of him. By the closing of Blue Lily, Lily Blue we’ve gained answers to the mystical powers that Blue and the rest of her Raven Boys possess but Gansey? Gansey still remains an enigma. But, in Blue Lily, Lily Blue he becomes a humanized one. The Gansey of this latest installment is not always the calm, collected, and put-together Gansey we’ve come to know. Stiefvater shows us the glimpses in which he morphs and isn’t quite the same person, though their essence is identical. It’s subtle, but Blue Lily, Lily Blue allows us to see Gansey through a lens of vulnerability—a term we’ve associated with everyone from Adam to Noah to Ronan to Blue—but, never before, with Gansey.

Blue Lily, Lily Blue further continues to alter the relationship dynamics simply between Blue and her Raven Boys. Noah becomes ever-more distant and otherworldly in this installment as Ronan and Adam begin to forge a tighter friendship now that Adam and Gansey are at such a stand-still in their own relationship. Between Blue and Gansey, however, there continues to be a strong stream of longing and though their relationship isn’t touched upon as much as it was in the previous installment, the scenes Stiefvater gives us are utterly bittersweet. Blue Lily, Lily Blue truly goes beyond just Blue and her Raven Boys, though. We finally get to meet Gansey’s Professor and Blue’s own relationships with the women in her house (and Mr. Gray!) take on a new significance with Blue’s mother missing. Additionally, Stiefvater introduces a slew of new characters; all of them complex, many of their roles unexpected. While Blue Lily, Lily Blue certainly furthers the plot significantly, it also leaves a large number of questions to be answered and generates new ones along the way as well, all contributing to an ending full of shock, excitement, and curiosity. Of course the wait for the next novel is sure to be unbearable but Blue Lily, Lily Blue packs such a punch that I am confident I’ve overlooked at least a dozen important clues. It’s the type of novel that, much like The Dream Thieves, simply demands to be re-read from its position on your shelf.

It hardly needs saying, but Stiefvater has outdone herself yet again. I believe she always says that her favorite book is the one she has just written and though I cannot agree with that statement, what with The Scorpio Races out in the world, Blue Lily, Lily Blue is one of her better novels. It doesn’t quite capture the madness and raw energy of The Dream Thieves for me, but it has an essence and magic all of its own. Just don’t expect to emerge from this novel unscathed and you’ll be good. (Trust me, Stiefvater just brings on ALL the feels…ALL OF THEM.)

Saturday, October 18, 2014

ARC Review: Princess of Thorns by Stacey Jay


Title: Princess of Thorns

Author: Stacey Jay

Rating: 2 Stars

Release Date: December 9th, 2014

I picked up Princess of Thorns expecting a fairy tale re-telling on the scale of Jay's Of Beast and Beauty.

Don't do that.

Princess of Thorns is nothing like Of Beast and Beauty, which is, frankly, a disappointment. Of Beast and Beauty burst upon my bookshelf last year with a fresh, innovative take on the age-old tale of "Beauty and the Beast." It wasn't solely Jay's creativity that set it apart as one of the finest re-tellings of "Beauty and the Beast" to be told, it was also her willingness to explore all-too-human themes in a fantastical settings, her risk-taking with a truly evil villain on hand, and her impeccable pacing that introduced plot twists when the reader least expected it. What's more, at its core Of Beast and Beauty is a love story; a beautiful one. It's impossible to pick up Jay's former novel and not become lost in the swirls of tension, passion, and love that emanate from these characters. Sadly, Princess of Thorns contains none of that.

For one, it should be noted that Princess of Thorns is not a re-telling of "Sleeping Beauty." Instead, it continues the original French story, only instead of ending completely in death and demise, Princess Aurora's two children live and are raised by the fey to eventually fight their evil ogre family. Princess of Thorns begins promisingly enough, what with a prophecy being foretold and Ror, our protagonist, becoming a fierce and determined leader. Certainly, from the first few pages, Jay's latest seemed to possess the qualities needed to make Princess of Thorns as big a success as Of Beast and Beauty but, alas, it was not to be so.

My main issue with Princess of Thorns is, quite simply, that it is boring. Aurora is on a quest to win over an army and save her younger brother, Jor, from his current imprisonment with the Ogre Queen who wishes both Ror and her brother dead. With her is Niklaas, the eleventh son of an immortal king who has cursed his heirs to turn into swans on their eighteenth birthday so that his kingdom may never be turned over to them. (Also, can I just inject here that this entire plot thread is ridiculously weak? Is this meant to be another re-telling similar to Marillier's Daughter of the Forest randomly interjected with "Sleeping Beauty"?) Niklaas finds Ror and, presuming that Aurora is her younger brother, Jor, agrees to help her on her quest if Jor will introduce Niklaas to his elder sister so Niklaas may propose marriage to Aurora. Niklaas needs to marry in order to escape his curse but Aurora's fairy blessings prevent her from even kissing another and, parading around as her younger brother Jor, their relationship forms into a tight friendship after their initial revulsion passes. Though their journey could have been intriguing, with "Jor" diplomatically fighting to win over an army or find one (*ahem* Aragorn in Return of the King when he rallies the ghost army to fight for him!), this novel passes by with Aurora and Niklaas merely walking, sleeping, talking.

What's worse, there's barely a hint of chemistry between Niklaas and Aurora. I enjoyed the manner in which their relationship developed but I wasn't wholly involved with it. Plus, Niklaas is the type of male protagonist who enjoys boasting of the broken hearts and cold beds he leaves behind and while Aurora is strong, capable, and a perfect match for him, I found Niklaas's subtle misogyny to be...unpleasant. Of course, Jay allows her characters to grow and change over the course of the novel and the ending is satisfying, though anticlimactic. It isn't the epic battle we expect it to be and, on that count, it's disappointing. Jay doesn't pull out all the stops when it comes to her villain this time around either--yet another upsetting factor--but the last few pages ensure that readers finish Princess of Thorns with a smile if nothing else.

Unlike Of Beast and Beauty, this novel is not introspective, reflective, or thought-provoking in the least. The relationship dynamics are all present--and I really enjoyed the glimpses of Ror and Jor's sibling relationship--but ultimately, this isn't a novel to boast about. Its gorgeous cover aside, I wouldn't recommend it and frankly feel as if readers who expect the same caliber of Of Beast and Beauty will be happier skipping out on this one. Sorry Princess of Thorns, but you leave much wanting.

You can read my review for Of Beast & Beauty (which I highly recommend!) HERE

Tuesday, October 14, 2014

Review: I'll Give You the Sun by Jandy Nelson


Title: I'll Give You the Sun 

Author: Jandy Nelson

Rating: 5 Stars

I often didn't want to read I'll Give You the Sun. Nelson's debut, The Sky is Everywhere, sits pristinely on my shelf despite numerous re-reads as I flip through my favorite passages, the poems most beloved to my heart, and swoon again and again and again because Joe Fontaine. I couldn't, for the life of me, imagine that I'll Give You the Sun would be able to compare. After all, I couldn't relate to a novel about twins. About art. About grief. A novel told from two different perspectives, two different genders, two different time lines. I'll Give You the Sun arrived on my doorstep as a pre-packaged risk--one I wasn't sure I was ready to take. Until, of course, I cracked open the spine and Nelson rendered me speechless, useless, and nearly heartless. Again.

I'll Give You the Sun is a vastly different novel from The Sky is Everywhere but the atmosphere created by Nelson--the distinct flavor of her--is still present. While Nelson's debut dealt, from the onset, with grief, with moving on, with battling the inner demons and wrestling the outer ones, I'll Give You the Sun is a far more subtle discussion of similar topics. It is told from the perspectives of Noah and Jude, twin brother and sister whose lives have been intertwined from womb to birth and beyond. Noah, at thirteen years old, begins the novel and his narration is a burst of color on the page. Noah is an artist. Not only does he see the world around him in the shades of his paintbrush and the strokes of his hand, but he's constantly cramped over a drawing pad. For Noah, art isn't a lifestyle; it's his life. At thirteen, Noah is shy, quiet, and often alone. Jude, by contrast, is popular. A complete dare-devil, she seems to have inherited the strong, "masculine" traits that their father always pushes Noah to attain. But Noah, thirteen years old, in love with his talent, often bullied, and burdened by the knowledge that he is attracted to the men, is a narrative voice I cannot forget. Once heard, it will stay with me; constantly. Every other chapter we hear Noah speak; first thirteen, then thirteen and a half, slowly pushing fourteen, until fourteen hits. Over the course of a mere year Noah will fall in love, he will destroy his relationship with his sister, he will grow green with envy, he will yearn to achieve his dream of gaining entrance into art school, and he will lose his true love.

Jude, whose narration picks up two years later at sixteen, is a changed individual from the flighty, fun, and flirty teen she used to be through Noah's eyes just three years ago. Now, Jude attends the prestigious art school Noah dreamed of attending. She wears conservative clothes, speaks to the ghost of her dead grandmother, is estranged from Noah, and blames herself for her mother's death. It's a shocking juxtaposition, at first, to read Noah's tender, innocent, and all too child-like perspective where he draws, dreams, and is constantly able to rely on his twin sister and then, suddenly, to be yanked into Jude's head, two years later, where she and Noah barely speak to one another; where she has lost her love for life; where, somehow, she is living her brother's dream while he lives the life of the popular high school jock. What happened? It's the question that plagues us, constantly, as we frantically flip the pages while simultaneously smoothing them down to make the words last longer, the sensations linger deeper, to soak in the full impact of the tale at hand.

I'll Give You the Sun is gut-wrenching, certainly, but only because Nelson makes you feel so deeply for her characters that their grief becomes our grief. It's beautifully written, descriptions of art grazing the pages opposed to the poetry of The Sky is Everywhere but, unsurprisingly, under Nelson's prose it is just as evocative and powerful. Moreover, I love the love stories Nelson creates. Like Gayle Forman and Stephanie Perkins, Nelson writes true love; love forged by fate, intertwined by destiny, and brought together by multiple life paths, not just one. It's the type of romance I simply cannot rip myself away from. I'm a sucker for these love stories, though countless readers likely point out their improbability, and Nelson made me fall hard not just for one or even two of the love stories told, but for all three within these pages. I have absolutely no qualms in admitting that the swoon Nelson writes in I'll Give You the Sun rivals the swoon of The Sky is Everywhere--and then some.

Yet, at its core, I'll Give You the Sun is a story of family. Of truths and deceptions. Of what love truly means. It leaves us thinking, by the end, after all the revelations are through, and the lingering unanswered questions of death remain, as in real life, the most bittersweet remembrances. Perhaps, though, what I love most about it is that the growth within it is not limited to age. Granted, both Jude and Noah grow and change immensely from Noah's perspectives to Jude's, two-three years in the future, but the adults around them are also, constantly, changing and being changed by the circumstances life throws at them. In The Sky is Everywhere the adult presence felt starkly adult; knowledgeable, reliable. A pillar, in other words. In I'll Give You the Sun, that isn't quite the case. Though it seems, to thirteen year old Noah, that his scientist father has it all figured out, to sixteen year old Jude it is evident that her father isn't himself. And though, to sixteen year old Jude, to seemed as though her mother knew it all, had all the right answers now, looking back, for fourteen year old Noah that wasn't the situation at all. For me, the lines blurring between by teenage-hood and adult-hood, these explorations of life, love, and longing at all stages truly spoke to me. Moreover, I loved seeing the beauty of existence shown through multiple generations in a manner only Nelson can possibly achieve.

For me, I'll Give You the Sun is a significantly more complex novel than The Sky is Everywhere. I love it because the intensity of its emotions is not linked solely to grief. I was able to understand, on so many levels, the complexity between Noah and Jude's relationship. From the stage where they fought for each parent's time and approval to the stage where they became jealous of one another and even beyond, so much of it rang true even without the added component of grief--which I, personally, enjoyed. Ultimately, I believe this novel will speak to every reader in some way or the other. It's just one of those novels. Pain demands to be felt; I'll Give You the Sun does too.

You can read my review of Nelson's The Sky is Everywhere HERE

Friday, October 10, 2014

Anthology Review: Shifting Shadows: Stories from the World of Mercy Thompson by Patricia Briggs


Title: Shifting Shadows: Stories from the World of Mercy Thompson

Author: Patricia Briggs

Rating: 4 Stars

Shifting Shadows is a definite must for fans of Mercy Thompson--no doubt about it. It opens with a relatively long tale--nearly novella length--which covers the initial meeting between Sam and Ariana. While it is often difficult for readers (at least myself) to tear away from the perfection that is Adam Hauptman, I truly adored the fact that this collection dares to give us the back stories of characters we've been curious about. Sam and Ariana's tale, though not one I'll likely ever find myself re-reading, is a powerful story with unexpected depth. Much later in the anthology, we re-visit this couple and understanding their past gives their present a rich undertone.

With the exception of "Silver", the majority of my favorite short stories from this novel are ones that have been published elsewhere. "Alpha & Omega" is stunning, as always, especially upon re-read. Tom's story with the blind witch (whose name I'm blanking on at the moment, sorry!) is just as compelling in its subtleties as I remembered. Of course, Kyle and Warren's story is unforgettable (that cowboy line though!). The last three short stories surround Mercy herself. Shortly following Night Broken she finds herself on a mission to dispel a ghost--and what a creepy ghost it is! I didn't expect to enjoy this tale as much as I did but, naturally, even the short presence of Adam Hauptman made my day.

Speaking of our resident werewolf, Adam's appearance in the last two tales--outtakes from Silver Borne and Night Broken--were utterly rewarding. It's often difficult to situate a reader in an isolated outtake, especially as I've read the majority of this series quite awhile ago, but Briggs manages to involve her reader completely in the world, time period, and situation she creates. Moreover, it would be remiss of me to ignore the brilliant and to-the-point synopses Briggs provides readers in the beginning of each short story. Not only does she inform us of where in the Mercy-verse each story falls, but she also gives us insider information on the creation of the novellas, which I always enjoy.

Shifting Shadows would not be the strong volume it is without the presence of Asil thrown cleverly into the middle of the anthology. While I'd have cherished a tale of Asil's mate, I grew to thoroughly enjoy the tale Briggs weaved for him and found myself missing it when it finished. Ultimately, this collection is full of depth, character growth, and back stories that only enrich our understanding of the world Briggs has built. If nothing else, it enables us to see that the extent of Briggs's imagination has only briefly been touched and that, as readers, we are still in for such a treat regarding future Mercy installments. I, for one, cannot wait. (I already need more Adam Hauptman in my life!)